I have been working on some videos from our recent Excellent Adventure. I use iMovie, which is quite good once you get the hang of it. It has a good library of sounds, including music, but they really do not fit my style.
At the same time, I have been hunting for a good audio source to accompany my drumming. I can produce drone-like sounds typical of the Didgeridoo on my electronic drums. I like that it provides a backdrop without forcing me into a set rhythm or tempo.
Finally, I have been sleeping with white noise for many years now. I found that playing the background noise in the house adds a very pleasant yet non-intrusive touch.
Along comes myNoise. It was developed by a Dutch guy who is really crazy about sounds. Travels all over the world, recording and collaborating with other like-minded people. The result is like the answer to my dreams.
Sample Indian Drone
There is a catalog of hundreds of different titles. Each title can be manipulated to add, remove, or change the level of different components of the sound with slider controls. The slider controls can be animated to change levels over time cyclically. Pitch can be accurately controlled. You can play multiple titles together to create combined sounds. It is truly a remarkable piece of programming.
As discussed elsewhere, modern music has long been a passion for me. Early on I was drawn to artists and bands that were unusual. Fancying myself a musician of sorts (aka a drummer!), I was also intrigued by the technical mastery of the musicians playing.
After that Fripp & his varied band members produced several good albums including In the Wake of Poseidon, Islands, and Lizard.
After Yes’ legendary Close to the Edge was released in 1972, drummer Bill Bruford left for King Crimson. He joined King Crimson together with an amazing percussionist and Buddhist monk Jamie Muir, a violinist David Cross and an amazing bass player and singer John Wetton. I was a huge Yes fan and disappointed he left Yes, but he more than made up for it with what he did in King Crimson from that point forward.
Muir, Fripp, Cross, and Buford recording Lark’s Tongue in Aspic. Check out Jamie Muir’s eclectic set on the left with a big sheet of metal as a hi-hat!
They released Lark’s Tongue in Aspic in 1973 about the time I graduated from high school. At that point, I was very heavily influenced by progressive rock and jazz fusion. I was a purveyor of unusual-sounding instruments, complex compositions, and highly skilled musicianship. This album fits the bill nicely!
Lark’s Tongue in Aspic, Part I
I was also struck by the name and album artwork. Lark’s Tongue in Aspic is a legendary culinary delicacy with the added aspect of requiring an untold number of beautiful, delicate songbirds to sacrifice their fucking tongues. It was apparently invented by the Romans – or at least as myths would tell. Can you imagine?
Please pass the Lark’s Tounge, my dear!
In my mind, as well as others, it represents obscene excess. Stories are told about how courtiers would sit for hours watching French royalty eat meals like this prepared to try and impress them. Like some kind of really fucked up circus.
Sort of reminds me of what internet billionaires are doing now. The ultimate in excess and instant gratification, without anything but token regard as to environmental and societal consequences. At the same time, social media ready to spew vitriol to secure the spot for the next generation of influencers π€‘. 21st Century Schizoid Man and Lark’s Tongue in Aspic, indeed.
The Excellent Adventure
In stark contrast to this is the gorgeous album artwork. In my mind, it brings together humanity and nature in a powerful way. It has always been a favorite up there with Yes’ Fragile. When I moved back to Florida ten years ago I quickly landed on this becoming my own personal sigil.
